Orlean's story is part true-crime thriller, historical treatise, and journalistic endeavor, whose prose overall reads like an ode to the beloved institution of the library and the people that make it feel alive, patrons and workers alike. While not perfect by any means, dealing with the social problems of the society that hosts it, such as homelessness, unemployment, and mental illness, libraries have become regarded nonetheless as valuable community spaces. The community of Los Angeles was no exception in regards to the Central Library. Central Library burned for nearly seven hours in April 1986, causing the loss of 400,000 books and damage to a good portion of the surviving inventory, either charred by flames, buffeted by smoke, or soaked through despite the best attempts by the firefighters to cover the stacks with protective tarps. Not long after, Los Angeles heard the suspicions of arson investigators hired in the wake of the tragedy that the blaze was intentionally set.
Orlean writes of the visceral damage to community morale when libraries and their contents were targeted by arson, whether by a spited lone arsonist, a government feeling challenged by the ideas contained in their stacks, or collateral damage in an armed conflict. These kinds of disasters shake people to their cores precisely because one's life is fleeting and impermanent, but stories put into books live on; to burn those books is therefore psychologically damaging as much as they are physically to the patrons and library materials involved. Despite this, communities are also very resilient. After much of the shock passed, the community rallied in support of their imperfect library, whose crowding, flawed wiring, and lack of air conditioning had been issues before the fire. In October of 1993, the library would reopen renovated and twice the size of the original building with the addition of a new wing. Not bad, considering that the Los Angeles Library, like many other libraries, started off as small charity projects (the most famous being the Carnegie libraries project), stuffed into cramped quarters, with their collections at first only open to wealthy men.
"All the things that are wrong in the world seem conquered by a library's simple unspoken promise: Here I am, please tell me your story; here is my story, please listen." (Orlean, 2018, p. 310)
However, before the library re-opened in 1993, the city was occupied with the arson investigation, which. after fits and starts and dead-ends, zeroed in on aspiring actor Harry Peak, whose narrative shifted like the wind, being a person who liked pleasing people to the point of obsession and craved attention. He'd been at the library when the fire started, then he wasn't. It was pretty much a case with circumstantial evidence, frustrating arson investigators, who'd already been dealing with the challenge of trying to pinpoint the origin of the fire and how it started, considering pretty much all the materials in the vicinity combusted almost instantly. Like many matters, emotions ran high despite investigators and the public craving accountability and impartiality, meaning that the need to arrest and charge someone put immense pressure on the city. When the dragged out legal process finally concluded, with the city settling with Harry Peak over allegations of mistreatment by investigators, the case was considered closed. Yet, the mystery of the fire still lingers, with outside arson investigators questioning if it even was an arson in the first place and instead pointing their fingers towards the electric and environmental problems the library had at the time.
In the end, Orlean accepts the enduring mystery around the 1986 fire and instead chooses to focus her concluding chapters on the future of the Los Angeles Public Library. This is an appropriate, with the fire and the rebuilding aftermath serving as a symbol of libraries' continued evolution and survival in the face of the considerable pressures of modernization. Like other libraries, the Los Angeles Public Library is no longer merely a research center and repository of books and other print media, but a full fledged community space and information hub. It also functions as a contact center for social service agencies and community events, a meeting place for all sorts of classes and community clubs, and an access point to both electronic and print media at no charge. Yet, for all of the changes, the modern library at its core for many remains an irreplaceable and magical place of exploration and refuge in the Google Age, a feeling perfectly captured in Orlean's Library Book.
Orlean, Susan. (2018). The Library Book. New York: Simon & Schuster.